Because
I teach and absolutely love The Great
Gatsby, I thought it would be appropriate to read some other F. Scott
Fitzgerald literature. I chose to read
Fitzgerald’s first novel, This Side of
Paradise, thinking it would have a similar complicated plot twist that
chapter seven provides in The Great
Gatsby; I may have been dozing through this novel, because I never came
across that fantastic chapter where all the pieces of the puzzle come
together. Instead of an amazingly quick
moving plot (with many twists), this novel was slow moving, and I’m ashamed to
say it, quite boring.
The main
character, Amory Blaine, is a spoiled rich boy, who never had to work very hard
for anything (perhaps my dislike for the main character tainted my opinion of
the novel). He was born rich, considered
himself superior to even his childhood friends, embarrassed girls who were
saving themselves for marriage, and went off to Princeton to study literature
(ok, so there is one thing I approve of in the narcissistic Amory). He serves in the war (WWI) briefly, and tries
time after time to actually go to class instead of slumming around with a
hangover all day, and he desperately seeks a romantic relationship with the
lovely Rosalind. But she marries a
wealthier man and Amory is left to his alcohol (perhaps a similarity to Gatsby
here).
I have
read many, many bildungsroman novels that detail the “coming-of-age” of a young
person into a functioning adult. I
understand and appreciate the genre: mature and grow, mature and grow. But I don’t understand why I can’t appreciate
this piece of literature. Maybe I am
more accustomed to Holden Caulfield or Huckleberry Finn, kids who have a little
sense of humor, or Celie Harris or Janie Crawford or Esther Greenwood, who have
their romantic/morality struggles with the men in their lives, but Amory, oh
boy, I cannot relate to Amory. He doesn’t
seem to learn from his mistakes, he treats people horribly, and he throws his
money away without even flinching.
I do
happen to know that Fitzgerald wrote a bit autobiographically, and I wonder how
much of this story is his confession of his wasted childhood. Similarly to Gatsby’s story, Amory loses his
woman because he isn’t wealthy enough, he drinks way too much, and he partied
very hard. Although I have little
appreciation for this text, I can now draw conclusions between these two
Fitzgerald works and his wonderful ability to chronicle the time period.
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